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Harry Bertoia (1915 – 1978), a trailblazing artist of Italian birth who later became an American citizen, left an indelible mark as one of the most innovative and prolific artists and designers of the postwar era. His artistic journey began at the prestigious Cranbrook Academy of Art, where he forged connections with future collaborators and peers, including Charles and Ray Eames, Florence Knoll, and Eero Saarinen.
Bertoia would later go on to take classes at Santa Monica City College, and, in 1947, created his first welded sculptures. Bertoia's legacy includes the creation of unique jewelry pieces, the design of iconic chairs, and the production of one-of-a-kind metal sculptures. Bertoia’s creations reflect a convergence of multiple disciplines, yet consistently exhibit a sculptural methodology in their execution, coupled with a pioneering embrace of metalwork.
Harry Bertoia (left) and a colleague
Courtesy of the Harry Bertoia Foundation
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Construction After the Enjoyment of a Mulberry Tree, 1953
The Art Institute of Chicago
Chicago, Illinois, USAUntitled (Multi-Plane Construction), 1953
The Museum of Fine Arts, Houston
Houston, Texas, USAScreen Tree, 1955
Crystal Bridges Museum of American Art
Bentonville, Arkansas, USAAltarpiece for MIT Chapel, 1955
Massachusetts Institute of Technology
Cambridge, Massachusetts, USAUntitled, c. 1960
Whitney Museum of American Art
New York, New York, USADogwood VII, 1962
Walker Art Center
Minneapolis, Minnesota, USAMemorial Fountain, 1972
Marshall University
Huntington, West Virginia, USATonal Sculpture, 1977
National Gallery of Art
Washington, DC, USA