Ouattara Watts (b. 1957, Abidjan, Ivory Coast) is an Ivorian-American artist who uses brilliant colors, dynamic patterns, and hypnotic signs and symbols to explore the spiritual ties between people that transcend location or nationality. He constructs fantastic landscapes and mystical scenes to examine these metaphysical relationships. Watts has established a large lexicon of quantitative, geographic, musical, and scientific symbols and forms, both modern and ancient, to communicate his dynamic vision.

Relocating to New York in 1989 after having studied at L’École Nationale Supérieure des Beaux-Arts in Paris, France, Watts takes inspiration from his native West Africa, his Parisian education, and his life in New York. He combines found artifacts, fabric, collage, and traditional painting and drafting methods to create images that invoke his multicultural identity and give rise to various socio-historical readings. As he has stated: “My vision is not bound to a country or continent…While I use identifiable pictorial elements to be better understood, this project is nevertheless about something much wider. I am painting the Cosmos.” Watts studied at L’École Nationale Supérieure des Beaux-Arts in Paris, France, before relocating to New York in 1989.

Notable exhibitions include the Museum of Modern Art, New York (2021); Espace Paul Rebeyrolles, Eymoutiers, France (2019); Galerie Cécile Fakhoury, Abidjan, Ivory Coast (2018); Dakar Biennale of Contemporary African Art, Dakar, Senegal (2018); Venice Biennale, Venice, Italy (2017); La Villette, Paris, France (2017); Documenta 11, Kassel, Germany (2002); and the Whitney Museum of American Art Biennial, New York (2002), among others. His work can be found in the collections of the Museum of Modern Art, New York, New York; Smithsonian National Museum of African American Art, Washington, D.C.; The Hood Museum of Art, Dartmouth College, Hanover, New Hampshire; Collection Mohammed IV, Morocco; Fondation Dapper, Paris, France; Tang Teaching Museum and Art Gallery, Saratoga Springs, New York; and the UC Berkeley Museum of Art and Film Archive, Berkeley, California, among others.

Ouattara Watts. Photo by James Fischetti.

  • The Woman of the Magic Power, 1989
    Foundation Dapper
    Paris, France

    Ka Cabala Voodoo, 1995
    The Smithsonian National Museum of African American Art
    Washington, D.C., USA

    Sigui, 2002
    Nasher Museum of Art at Duke University
    Durham, North Carolina, USA

    Wait Until Tomorrow, 2005
    Tang Teaching Museum and Art Gallery
    Saratoga Springs, New York, USA

    Vertigo #2, 2011
    The Museum of Modern Art
    New York, New York, USA

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Mark Tansey